The postmodernist eye scrutinizes the gaze of the portrait with its double claims to originality "the meeting of two subjectivities"--that of the portrayed and portrayer--the genre embodies the notion of uniqueness that has been challenged in the 20th century. -Melissa Feldman from Face Off: The Portrait in Recent Art
A portrait of a person is not a fact, but an opinion. By removing the camera from the photobooth and replacing it with human eyes and hands--this sentiment or perspective can be even more distinct.
This was immediately apparent when I created the first model of the photobooth in March of 2007 at an exhibition at Space 1026. This booth was "staffed" by a variety of artists who all observed and drew in different styles - or opinions.
I built this booth without a notion of what would happen inside - I created the object, yet the experience of being allowed this luxury to observe with impunity and to share an intimate moment with a complete stranger, without introduction or fanfare was an amazing experience which I hope to recreate at Bucks County Community College.
Portraits are always of a person at a specific instant. They are never about the future. Jan Grover in Portrait Theory by David Attie